I am so thrilled and grateful to be a part of the blog tour for I Do Not Trust You, the latest thrilling and adventurous YA book from duo Laura J. Burns and Melinda Metz.
Check out the summary here:
Memphis “M” Engle is stubborn to a fault, graced with an almost absurd knowledge of long lost languages and cultures, and a heck of an opponent in a fight. In short: she’s awesome.
Ashwin Sood is a little too posh for her tastes, a member of an ancient cult (which she’s pretty sure counts for more than one strike against him), and has just informed Memphis that her father who she thought was dead isn’t and needs her help.
From the catacombs of Paris to lost temples in the sacred forests, together they crisscross the globe, searching for the pieces of the one thing that might save her father. But the closer they come to saving him—and the more they fall for one another—the closer they get to destroying the world.
I got the chance to ask Laura and Melinda some of my burning questions about the world-building and writing process for I Do Not Trust You:
Tay: In I DO NOT TRUST YOU, M and Ash visit a variety of significant cultural locations around the globe, bringing them to almost every continent on a high-stakes hunt for pieces of a mysterious ancient statue. What was the research process like for choosing these sites? Did you work together? Were there any big surprises or Aha! moments?
Laura and Melinda: We did try to hit most of the continents! Antarctica and Australia didn’t make the cut, unfortunately. We knew the basic requirements for the locations we needed–they had to have been built a certain number of years ago, they had to be religious sites–and that helped narrow down our research. We initially made a long list of possible locations, and then narrowed them down in such a way that we’d have a variety of mythologies and cultures.
The best Aha! moment came at the very beginning, when we were plotting out the story in broad strokes. We knew we wanted an adventurous search for something, but we didn’t know what. We thought of an Egyptian artifact right away because we love Ancient Egypt, but we weren’t sure what it should be. One of our favorite Egyptian myths is the story of Osiris and Isis, which also involves Set, who is a dark god. Set kills Osiris and chops his body into pieces, which he scatters throughout Egypt. Isis, Osiris’s wife, searches for all the pieces and reunites them, reincarnating Osiris. And as we discussed this myth, we thought (Aha!) Isis searched for scattered pieces, and that’s what our heroine is doing as well. So we could use that myth as the basis for our (fictional) Egyptian artifact–it’s chopped into pieces and scattered around the world. It worked perfectly.
Tay: Along the same lines of my previous question, were there any sites or locations that you wanted to include, but ended up not fitting into the story?
Laura and Melinda: It was hard to pick only one spot in Egypt. We had a list of several, as you can imagine given our obsession with it! But it wouldn’t have worked for the plot to spend too much time there, so we had to choose the one that fit our story best. We also have an intense attraction to Druids, and we really wanted to use a location that might’ve been sacred to the Druids. Alas, we couldn’t quite find a way to work that in either.
Tay: A big part of what I love about I DO NOT TRUST YOU is that it offers a nuanced discussion of religion and what is sacred. Is that something that you two initially set out to write or did it develop over time? How did the weaving of different belief systems from Egyptian cult beliefs to Catholicism to local indigenous pagan beliefs develop as you wrote and then revised the book?
Laura and Melinda: We love anything involving complex mythology or the occult, and we love to create our own mythologies. The different belief systems are fascinating to us, and it’s impossible to separate those systems from the cultures that gave rise to them. One thing that we think gets forgotten when learning about the gods of ancient cultures is that, while we view the myths as merely stories, the people who lived then viewed them as a religion. It’s a mistake to assume that priests in Ancient Egypt weren’t just as devout as priests in our current religions, for instance. One of the best ways to learn about a modern culture is to study the religious beliefs of its people, and that’s true of ancient cultures as well. We like to think about what the lives of those believers were like, rather than only thinking about the gods and what they might symbolize.
With our main male character, Ash, we tried to figure out how it would feel to believe so completely in your religion that it crowds out all other considerations. And with our protagonist, M, we went the other way–she knows so much about so many different belief systems that she doesn’t have one particular belief of her own. Eventually, the theme that we settled on was one of respect for all the different faiths. If an act is done in service of the greater good, then it is sacred. That was something both of our characters could agree on.
Thank you so much Laura and Melinda for answering my questions!
Interested in learning more about I Do Not Trust You and my thoughts on this lovely imaginative book? Keep reading for my review!